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February 2009 | Dental Lab Products
Step-by-Step: GC Initial Zr

 

Zirconia esthetics

Creating two lifelike central crowns using GC Initial™ Zr zirconia veneering ceramic.

By Luke Kahng, CDT, LSK 121 Oral Prosthetics. Dentistry by Dr. Ron Schefdore.


When considering how to match a patient’s shade, we as technicians should ask ourselves two questions: What does the patient want to change, if anything?; and, What does the patient want to see when looking in the mirror?

The patient in this case study knew she wanted “nice” bright teeth. Also, she thought her two central teeth appeared too wide. She had a facial composite on tooth #8 and a 10-year-old monochromatic crown on #9. She also had been bleaching to lighten her tooth color. The shape of her teeth was not difficult to mimic, but her shade was a different story.

During the custom shade appointment, checking the patient’s tooth surface texture ensured the final restorations created would match adjacent teeth. The patient’s tooth texture was glossy, but the value was low. These observations helped determine material selection and preparation design.

However, determining translucency was more difficult, and this definitely has an effect on the final color. From observation, it was clear her incisal one-third had more translucency.

One thing I have learned: If the color can be described, it can be re-created. But if it can’t be described, it can’t be done.

Using GC Initial™ Zr low-fusing porcelain material to recreate nature, the translucency and chroma are predictable. Even after three or four build-ups, the color is still there, exactly how the technician applied it. This leads to shade matching predictability every time. We don’t have to ask ourselves how we can build-up our porcelain to achieve life-like color—it’s always dependably there.

Following are steps for using GC Initial Zr low-fusing porcelain and a multi-layer technique for creating zirconia-based crowns.


THE CASE IN PICTURES: SLIDESHOW
(Refer to slideshow for figures)


01
The pre-op view of the patient shows the boxy look of her two central incisors and their mismatched color in comparison to adjacent dentition (Fig. A).

02 The dentist prepared the two centrals for zirconia-based crowns (Fig. B), and two Aadva™ zirconia copings were fabricated at the GC Milling Center in Costa Mesa, Calif.

03 Apply the first layer of GC Initial Porcelain BLD 3 to the Aadva zirconia copings (Fig. C).

04 Apply the first dentin layer for proper contour (Fig. D).

05 Apply white modified translucency to the gingival one-third of the restoration (Fig. E).

06 Add a clear fluorescence to the mesial and distal corners of the crown (Fig. F).

07 Layer the cervical translucency (Fig. G).

08 Add an enamel effective layer to the buildup (Fig. H).

09 Apply translucency neutral with mamelon (Fig. I).

10 This is a side view of the enamel layering (Fig. J).

11 Apply Enamel 58 (Fig. K) to the buildup.

12 Now map the texture to be created by drawing lines on the crowns. Through an illusion of angularity, the teeth will appear narrower (Fig. L).

13 The final restorations (Fig. M).

14 Tooth #8 is half-covered by a sectioned crown to check stump color and translucency (Fig. N).

15 Final restorations in the mouth. Note the color, symmetry, and contour (Fig. O).


Conclusion

With the correct surface texture, value, hue, translucency, tooth morphology, stump shade, and material selection communication, we can approach a case correctly. I was able to produce restorations that made the patient happier with her appearance and confident in her smile.

 


 

GC Initial ZR


• Standardized build-up technique

• Indicated for use with all zirconia substructures

• Feldspar-based zirconia veneering ceramic

• Stable and durable

GC America Inc.

3737 W. 127th St.
Alsip, IL 60803
800-323-3386
www.gcamerica.com


For more product information, click here.

 

 


 


 
 



 


CAD/CAM Workflow

Using a CAD/CAM outsource service gives you access to many different restorative possibilities.

For this case, I used the services of the GC Milling Center located in Costa Mesa, Calif. I sent them the working model, which they scanned, then CAD designed the case. The digital design data was sent to the milling machine for milling two zirconia copings. I received the copings back in 4 working days to complete the final buildup.

 

 

 

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